Kenzee Patterson

with Tarik Ahlip, Julia McInerney, Robert Pulie, Luke Parker, Therese Keogh and Mitchel Cumming - 1/2 to dust

06 March - 01 April 2021

TO ARTIST PAGE Kenzee Patterson - 1/2 to dust      
  • Kenzee Patterson

    with Tarik Ahlip, Julia McInerney, Robert Pulie, Luke Parker, Therese Keogh and Mitchel Cumming

    1/2 to dust

    2021

    exhibition walkthrough by Simon Hewson @fatografi_insta

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  • Kenzee Patterson

    1/2 to dust 2021

    installation view

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  • Kenzee Patterson

    1/2 to dust 2021

    installation view

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  • Kenzee Patterson

    1/2 to dust 2021

    installation view

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  • Kenzee Patterson

    1/2 to dust 2021

    installation view

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  • Kenzee Patterson

    1/2 to dust 2021

    installation view

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  • Kenzee Patterson

    1/2 to dust 2021

    installation view

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  • Kenzee Patterson

    This stone woman wept

    2020

    laminated Rouse-Port Fairy bluestone taken from excess construction material at Lyon Housemuseum Galleries, Kew

    105 x 37 x 33 cm

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  • Kenzee Patterson

    Bullecourt

    2020

    laminated Rouse-Port Fairy bluestone taken from excess construction material at Lyon Housemuseum Galleries, Kew, debossed and marbleized silicone wristband

    78 x 13 x 11 cm

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  • Kenzee Patterson

    Deep Heat

    2021

    laminated Rouse-Port Fairy bluestone taken from excess construction material at Lyon Housemuseum Galleries, Kew

    57 x 38 x 10 cm

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  • Kenzee Patterson

    Continental Abyssal

    2021

    tyre retrieved from the Urunga Wetlands, rags kept from a factory job and sewn into a sheet, salvaged car exhaust pipes,

    two pieces; 112 x 152 cm & 60 cm diameter x 13 cm

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  • Kenzee Patterson

    Too, too tired to sleep

    2021

    reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water

    198 x 66 x 37 cm

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  • Kenzee Patterson

    Purloined purlin

    2021

    reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water

    190 x 57 x 51 cm

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  • Kenzee Patterson

    bird of paradise

    2021

    reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water, wintergreen (Gaultheria fragrantissima) essential oil

    143 x 63 x 20 cm

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  • Kenzee Patterson

    Bird of paradise (detail)

    2021

    reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water, wintergreen (Gaultheria fragrantissima) essential oil

    143 x 63 x 20 cm

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  • Kenzee Patterson

    Bird of paradise (detail)

    2021

    reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water, wintergreen (Gaultheria fragrantissima) essential oil

    143 x 63 x 20 cm

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  • Kenzee Patterson

    Bluesone deboss & Tyre deboss (installation view)

    2021

    debossed, handmade paper, Ed. 10

    each 21 x 14.5 cm

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  • Kenzee Patterson

    Exhausted Painting: Phthalo Green, Indian Yellow, Brilliant Red, Ultramarine

    2021

    ink on handmade paper

    21 x 14.5 cm

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  • Kenzee Patterson

    Exhausted Painting: Brilliant Red, Ultramarine, Phthalo Green

    2021

    ink on handmade paper

    21 x 14.5 cm

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  • Kenzee Patterson

    Exhausted Painting: Brown Brazil, Magenta, Violet, Ultramarine, Sapphire Blue

    2021

    ink on handmade paper

    21 x 14.5 cm

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  • Kenzee Patterson

    Exhausted Painting: Phthalo Green, Indian Yellow, Brilliant Red, Ultramarine

    2021

    ink on handmade paper, hanging from sleeper earrings within the gallery's stock room

    21 x 14.5 cm

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  • Kenzee Patterson

    Exhausted Painting: Brilliant Red, Ultramarine, Phthalo Green

    2021

    ink on handmade paper, hanging from sleeper earrings within the gallery's stock room

    21 x 14.5 cm

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  • Kenzee Patterson

    Exhausted Painting: Brown Brazil, Magenta, Violet, Ultramarine, Sapphire Blue

    2021

    ink on handmade paper, hanging from sleeper earrings within the gallery's stock room

    21 x 14.5 cm

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  • Luke Parker

    Widows

    2015

    two assemblages on found screen-print screens featuring faux-Victorian and Georgian period window decal patterns, used for sandblasting patterns onto glass

    Widow I: 134 x 5 x 58.5 cm, Widow II: 144 x 5 x 88 cm

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  • Julia McInerney

    on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too 'that is all'.

    Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall (Virginia Woolf) Piece II – two anchors melted down and re-cast) 2014

    sand cast aluminium, salt, water

    18 x 80 x 121 cm (x2)

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  • Julia McInerney

    on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too 'that is all'.

    Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall (Virginia Woolf) Piece II – two anchors melted down and re-cast) 2014 (detail)

    sand cast aluminium, salt, water

    18 x 80 x 121 cm (x2)

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  • Julia McInerney

    on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too 'that is all'.

    Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall (Virginia Woolf) Piece II – two anchors melted down and re-cast) 2014 (detail)

    sand cast aluminium, salt, water

    18 x 80 x 121 cm (x2)

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  • Julia McInerney

    Archipelago

    2017

    coconut oil cast of one half of a sinker mould

    7 x 20 x 1.5 cm

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  • Robert Pulie

    Relief Supports

    2019

    acrylic primer and gesso on aluminium

    2 parts: 87 x 33 x 1.5 cm

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  • Tarik Ahlip

    Design for a headstone / with a quotation from the Brion Cemetery / and blue from ‘The Siege of Lanka’ / for the first of our kin buried on this continent

    2019

    resin, aluminium leaf and gold leaf

    38 x 37.5 x 2 cm

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  • Tarik Ahlip

    A Paranoid Flower

    2019

    resin, aluminium leaf, gold leaf and pigment

    37 x 37 x 3 cm

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  • Tarik Ahlip

    Design for a headstone / with a quotation from the Brion Cemetery / and blue from ‘The Siege of Lanka’ / for the first of our kin buried on this continent 2019

    & A Paranoid Flower 2019

    installation view

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  • Therese Keogh

    To: The Underside of Ships and Maps

    2020-21

    laser print on handmade paper

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  • Therese Keogh

    To: The Underside of Ships and Maps

    installation view

    2020-21

    laser print on handmade paper

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  • Mitchel Cumming

    Double Zero

    installation view

    2021

    remnant holes in the gallery wall repaired with a dough made from “00” flour and one litre of water reclaimed from the Rushcutters Bay Stormwater Channel

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  • Mitchel Cumming and Kenzee Patterson

    Redistribution (forbearing / forthcoming)

    2021

    the weight of a basalt millstone held in the storage of the Powerhouse Museum, Sydney pressing a magnesium deboss die into 20 sheets of handmade paper for the duration of the exhibition

    An edition to be published by AFAAAR Publications at the conclusion of the exhibition.

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