Kenzee Patterson
with Tarik Ahlip, Julia McInerney, Robert Pulie, Luke Parker, Therese Keogh and Mitchel Cumming - 1/2 to dust
06 March - 01 April 2021
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Kenzee Patterson
with Tarik Ahlip, Julia McInerney, Robert Pulie, Luke Parker, Therese Keogh and Mitchel Cumming
1/2 to dust
2021
exhibition walkthrough by Simon Hewson @fatografi_insta
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Kenzee Patterson
1/2 to dust 2021
installation view
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Kenzee Patterson
1/2 to dust 2021
installation view
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Kenzee Patterson
1/2 to dust 2021
installation view
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Kenzee Patterson
1/2 to dust 2021
installation view
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Kenzee Patterson
1/2 to dust 2021
installation view
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Kenzee Patterson
1/2 to dust 2021
installation view
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Kenzee Patterson
This stone woman wept
2020
laminated Rouse-Port Fairy bluestone taken from excess construction material at Lyon Housemuseum Galleries, Kew
105 x 37 x 33 cm
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Kenzee Patterson
Bullecourt
2020
laminated Rouse-Port Fairy bluestone taken from excess construction material at Lyon Housemuseum Galleries, Kew, debossed and marbleized silicone wristband
78 x 13 x 11 cm
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Kenzee Patterson
Deep Heat
2021
laminated Rouse-Port Fairy bluestone taken from excess construction material at Lyon Housemuseum Galleries, Kew
57 x 38 x 10 cm
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Kenzee Patterson
Continental Abyssal
2021
tyre retrieved from the Urunga Wetlands, rags kept from a factory job and sewn into a sheet, salvaged car exhaust pipes,
two pieces; 112 x 152 cm & 60 cm diameter x 13 cm
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Kenzee Patterson
Too, too tired to sleep
2021
reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water
198 x 66 x 37 cm
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Kenzee Patterson
Purloined purlin
2021
reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water
190 x 57 x 51 cm
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Kenzee Patterson
bird of paradise
2021
reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water, wintergreen (Gaultheria fragrantissima) essential oil
143 x 63 x 20 cm
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Kenzee Patterson
Bird of paradise (detail)
2021
reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water, wintergreen (Gaultheria fragrantissima) essential oil
143 x 63 x 20 cm
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Kenzee Patterson
Bird of paradise (detail)
2021
reclaimed railway sleeper, salvaged car exhaust pipe, reused plastic bottle, aluminium grate outlet, consumer electronics, water, wintergreen (Gaultheria fragrantissima) essential oil
143 x 63 x 20 cm
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Kenzee Patterson
Bluesone deboss & Tyre deboss (installation view)
2021
debossed, handmade paper, Ed. 10
each 21 x 14.5 cm
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Kenzee Patterson
Exhausted Painting: Phthalo Green, Indian Yellow, Brilliant Red, Ultramarine
2021
ink on handmade paper
21 x 14.5 cm
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Kenzee Patterson
Exhausted Painting: Brilliant Red, Ultramarine, Phthalo Green
2021
ink on handmade paper
21 x 14.5 cm
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Kenzee Patterson
Exhausted Painting: Brown Brazil, Magenta, Violet, Ultramarine, Sapphire Blue
2021
ink on handmade paper
21 x 14.5 cm
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Kenzee Patterson
Exhausted Painting: Phthalo Green, Indian Yellow, Brilliant Red, Ultramarine
2021
ink on handmade paper, hanging from sleeper earrings within the gallery's stock room
21 x 14.5 cm
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Kenzee Patterson
Exhausted Painting: Brilliant Red, Ultramarine, Phthalo Green
2021
ink on handmade paper, hanging from sleeper earrings within the gallery's stock room
21 x 14.5 cm
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Kenzee Patterson
Exhausted Painting: Brown Brazil, Magenta, Violet, Ultramarine, Sapphire Blue
2021
ink on handmade paper, hanging from sleeper earrings within the gallery's stock room
21 x 14.5 cm
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Luke Parker
Widows
2015
two assemblages on found screen-print screens featuring faux-Victorian and Georgian period window decal patterns, used for sandblasting patterns onto glass
Widow I: 134 x 5 x 58.5 cm, Widow II: 144 x 5 x 88 cm
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Julia McInerney
on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too 'that is all'.
Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall (Virginia Woolf) Piece II – two anchors melted down and re-cast) 2014
sand cast aluminium, salt, water
18 x 80 x 121 cm (x2)
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Julia McInerney
on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too 'that is all'.
Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall (Virginia Woolf) Piece II – two anchors melted down and re-cast) 2014 (detail)
sand cast aluminium, salt, water
18 x 80 x 121 cm (x2)
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Julia McInerney
on a summer's day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying 'that is all' more and more ponderously, until even the heart in the body which lies in the sun on the beach says too 'that is all'.
Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall (Virginia Woolf) Piece II – two anchors melted down and re-cast) 2014 (detail)
sand cast aluminium, salt, water
18 x 80 x 121 cm (x2)
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Julia McInerney
Archipelago
2017
coconut oil cast of one half of a sinker mould
7 x 20 x 1.5 cm
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Robert Pulie
Relief Supports
2019
acrylic primer and gesso on aluminium
2 parts: 87 x 33 x 1.5 cm
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Tarik Ahlip
Design for a headstone / with a quotation from the Brion Cemetery / and blue from ‘The Siege of Lanka’ / for the first of our kin buried on this continent
2019
resin, aluminium leaf and gold leaf
38 x 37.5 x 2 cm
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Tarik Ahlip
A Paranoid Flower
2019
resin, aluminium leaf, gold leaf and pigment
37 x 37 x 3 cm
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Tarik Ahlip
Design for a headstone / with a quotation from the Brion Cemetery / and blue from ‘The Siege of Lanka’ / for the first of our kin buried on this continent 2019
& A Paranoid Flower 2019
installation view
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Therese Keogh
To: The Underside of Ships and Maps
2020-21
laser print on handmade paper
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Therese Keogh
To: The Underside of Ships and Maps
installation view
2020-21
laser print on handmade paper
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Mitchel Cumming
Double Zero
installation view
2021
remnant holes in the gallery wall repaired with a dough made from “00” flour and one litre of water reclaimed from the Rushcutters Bay Stormwater Channel
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Mitchel Cumming and Kenzee Patterson
Redistribution (forbearing / forthcoming)
2021
the weight of a basalt millstone held in the storage of the Powerhouse Museum, Sydney pressing a magnesium deboss die into 20 sheets of handmade paper for the duration of the exhibition
An edition to be published by AFAAAR Publications at the conclusion of the exhibition.
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