World Material

Curated by Chloé Wolifson (Connie Anthes, Rebecca Gallo, Eloïse Kirk, Michelle Nikou, Lisa Sammut, Lotte Schwerdtfeger, Yasmin Smith, & Louise Weaver)

28 January - 25 February 2017

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  • World Material

    installation view

    1 / 22

  • Louise Weaver

    Transmitter

    2016

    synthetic polymer emulsion on linen

    152 x 106 cm

    2 / 22

  • Louise Weaver

    Backlit against the blaze (fire song)

    2016

    synthetic polymer emulsion on linen

    152 x 106 cm

    3 / 22

  • Louise Weaver

    installation view

    4 / 22

  • World Material

    installation view

    5 / 22

  • Eloïse Kirk

    Ultra Plinian

    2017

    Collage, acrylic, resin

    67 x 52 cm 

    6 / 22

  • Eloïse Kirk

    Safety Rope 1 and 2

    2015

    Fibreglass, wood, acrylic and rope

    dimensions variable

    7 / 22

  • Connie Anthes

    Untitled (Shadow Figures)

    2015

    acrylic and enamel on archival paper

    4 panels; 206 x 148.5 cm total

    8 / 22

  • Lisa Sammut

    form deforms you 

    2017

    embroidery on velvet, plywood, red cedar, beech, pine, acrylic paint, ink on paper, collage, cement, rock, clock mechanism, ping pong ball

    149 x 100 cm

    9 / 22

  • Lisa Sammut

    form deforms you (detail)

    2017

    embroidery on velvet, plywood, red cedar, beech, pine, acrylic paint, ink on paper, collage, cement, rock, clock mechanism, ping pong ball

    149 x 100 cm

    10 / 22

  • Connie Anthes

    Untitled (Protest Residue)

    2017

    textile banner with appliqué

    152.5 x 103.5 cm

    11 / 22

  • Connie Anthes

    Untitled (Protest Residue)

    2017

    textile banner with appliqué

    152.5 x 103.5 cm

    12 / 22

  • Connie Anthes

    Untitled (Mantle Piece)

    2015

    installation with air-dried ceramic, projector, apparatus

    dimensions variable

    13 / 22

  • Michelle Nikou

    Lint Drawings

    2001

    14 / 22

  • World Material

    installation view

    15 / 22

  • Lotte Schwerdtfeger

    Prospect (Geological Study of Fryers Forest)

    2016-17

    Quartz bearing iron stained rock fragments and secondary banded clay, mixed, sieved and kiln fired - harvested from Fryerstown area, Central Victoria Paint, plywood, pine, eucalyptus branches

    dimensions variable

    16 / 22

  • Lotte Schwerdtfeger

    Prospect (Geological Study of Fryers Forest)

    2016-17

    Quartz bearing iron stained rock fragments and secondary banded clay, mixed, sieved and kiln fired - harvested from Fryerstown area, Central Victoria Paint, plywood, pine, eucalyptus branches

    dimensions variable

    17 / 22

  • Yasmin Smith

    Ntaria Fence

    2015

    branches: mid-fire slip with Hermannsburg wood ash glaze (River Red Gum, Mulga, Palm Tree), nepheline syenite and ball clay; buckets: earthenware slip with arctic blue underglaze and clear gloss glaze; ice cream containers: earthenware slip with yellow

    dimensions variable

    18 / 22

  • Yasmin Smith

    Ntaria Fence (detail)

    2015

    branches: mid-fire slip with Hermannsburg wood ash glaze (River Red Gum, Mulga, Palm Tree), nepheline syenite and ball clay; buckets: earthenware slip with arctic blue underglaze and clear gloss glaze; ice cream containers: earthenware slip with yellow

    dimensions variable

    19 / 22

  • Rebecca Gallo

    installation view

    20 / 22

  • Rebecca Gallo

    installation view

    21 / 22

  • Rebecca Gallo

    Arm's Length

    2016

    cast concrete and pigment, wood

    154 x 120 cm

    22 / 22